Høffding, Simon; Bergstrøm, Rebecca Josefine Five; Bishop, Laura; Bravo, Pedro Pablo Lucas; Burnim, Kayla & Cancino-Chacón, Carlos Eduardo; Paulsrud, Thea Sørli; [Show all 28 contributors for this article] (2025). Introducing the MusicLab Copenhagen Dataset. Music & Science. doi: 10.1177/20592043241303288.
Danielsen, Anne; Paulsrud, Thea Sørli & London, Justin (2025). The influence of vocal expertise on the perception of microrhythm in song and speech. Attention, Perception & Psychophysics. ISSN 1943-3921. doi: 10.3758/s13414-025-03057-y. Full text in Research Archive
Danielsen, A.; Paulsrud, T. S., & Hansen, N. Chr. (2023). “MusicLab Copenhagen”: The Gains and Challenges of Radically Interdisciplinary Concert Research. Music & Science. ISSN 2059-2043. 6. doi: 10.1177/20592043231194747.
Danielsen, A. & Paulsrud, T. S.(2022). “Three and a Half Minutes of Attitude.” Vocal Delivery, Groove, and Production in Azealia Banks’ “212” (2014). In Moylan, William; Burns, Lori & Mike, Alleyne (Ed.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.). Routledge. ISSN 9781003089926. doi: 10.4324/9781003089926-21.
Paulsrud, T. S. (2022). Musikkfeltet i Viken: En studie av det frie og profesjonelle feltet. Musikkontoret MØST, Musikkontoret ØKS. Viken Fylkeskommune.
Paulsrud, T. S. (2021). Musikerens utfordringer i egen arbeidshverdag.[Masteroppgave]. Institutt for Musikkvitenskap, Universitetet i Oslo.
